Provides a critical understanding of augmented reality as a visual technology,Īnd how it might change or reinforce possible norms and power relations.
Visibility and race, gendered gaze, and algorithmic normativity, this paper Through the lens of feminist theory on performativity and intelligibility, Personal and Public Art and Literature of the Franklin Search Expeditions. By analyzing representations of augmented reality in science fiction How gaze and power are coded into three pop-cultural visions of augmented Long been a part of visions of the digital future. Visual culture is the aspect of culture expressed in visual images. Ordinary visual surface, is a technology under rapid development, which has All of the essays in Early Modern Visual Culture explore the social context in which paintings, statues. ‘Starting from below’ – a quote from the French phenomenologist Maurice Merleau-Ponty – refers to phenomenology’s valorisation of traditionally-disregarded non-dualistic, embodied, pre-reflexive, perceptual, and idiosyncratic (or ‘ideographic’) forms of investigation.Ī current phenomenologically-based research project is also discussed in which my interactions with Kim Jongku's installation Mobile Landscape, 2009 and with a Korean ink drawing, Landscape with Gentlemen Visiting a Scholar in a Lakeside Pavilion (thought to be from the Chosŏn dynasty, first half of the 17th century), play a formative role.Download a PDF of the paper titled Visions of augmented reality in popular culture: Power and (un)readable identities when the world becomes a screen, by Marianne Gunderson Download PDF Abstract: Augmented reality, where digital objects are overlaid and combined with the Request Desk/Exam Copy Download Cover Image. This presentation argues for the importance of developing such resources and sets out their key features and scope. “It is at the same time true that the world is what we see and that, nonetheless, we must learn to see it” (Maurice Merleau-Ponty)ĭespite close interactions between phenomenology and the visual arts (particularly with the emergence of ‘minimalism’ during the mid-20th century and with today’s interests in visual and material culture) no coherently assembled phenomenologically-based methodological resources exist that are aimed at arts researchers. “We will come to these questions by starting ‘from below’.” (Maurice Merleau-Ponty) : The Visual Culture Reader: 9780415782623: Mirzoeff, Nicholas: Books Books Arts & Photography History & Criticism Try Prime and start saving today with Fast, FREE Delivery Buy new: 67.96 List Price: 84.95 Details Save: 16. Mobile Landscape Installation Shot, Signature Art Show.jpg
0 kommentar(er)
